At the opposite side of the front panel from the logo are four status LEDs, a secondary function of which is to monitor the power‑on sequence, which includes some self diagnostics that last around 10 seconds. For the typical home studio owner, only the cost. Cranborne Audio Camden EC2 Preamp & CAST Expanders. The Opal's 28‑litre cabinet is pressure cast from aluminium, finished in a black powder coating, and the inherently rigid shape is curved in two dimensions to discourage resonances, as well as internal reflections that might cause standing waves. This circuit is built onto a four‑layer circuit board and specified to have less than 0.005 percent total harmonic distortion (THD). Kicking off with the most affordable and progressing upwards through the price brackets, here are our favourites. Event's new owners make some extravagant claims for these new high‑end monitors, whose design is said to put quality first. These cookies do not store any personal information. Event call this technology X‑Coil, and they claim that it provides greater control over the cone, resulting in better transient handling and lower distortion. The Level control has a ‑6 to +6dB gain range in 3dB steps, and Space offers bass tailoring for full-, half- or quarter-space positioning. All the cooling is done by convection, so there are no noisy fans. Since Event changed ownership in 2006, their popular 20/20 BAS monitor has been completely redesigned, and relaunched at a very attractive price. It is mandatory to procure user consent prior to running these cookies on your website. Its woofer, tweeter, amplifier and cabinet all feature innovative and unique design and technology elements, combined to create one of the finest and most accurate studio monitoring … Event 20/20 BAS. Web site designed & maintained by PB Associates & SOS. Copyright © 2020, Long & McQuade Limited, All Rights Reserved. It has been in development for several years, and It seems that the designers were instructed to aim for the best possible performance and worry about the price later. The roll surround is S-shaped for mechanical symmetry, but what really sets the EX8 apart from the vast majority of other drivers is the use of a second, series‑connected, static voice‑coil, which is effectively part of the magnetic motor and is wired out of phase, so that it pushes against the voice coil on the cone. Some 'ultra accurate' speakers attract criticism for sounding a little uninteresting, but that's not the case with the Opals: they just act as a clean window into the mix, so if you have a lively‑sounding mix, it will still sound lively played over the Opals. The controls go a little further than those on the majority of active monitors, as there's a variable-Q filter, with a frequency range of 40‑280Hz, which can be set to cut by up to 6dB in 1dB steps. This website uses cookies to improve your experience while you navigate through the website. The stereo imaging is exceptionally clear and wide, with a solid sense of centre‑panned sounds as well as those things off to the side, and transient detail is rendered very precisely and smoothly. One of the most important decisions you’ll ever make in your production journey is the choice of studio monitors. Has the ability to be loud when required. This is the region where reflections from a large desk or mixing console can cause problems, so it's a useful addition. Event also offer an optional calibration microphone and computer software package to aid speaker setup in the control room, but this wasn't supplied for review. If you are able to visit a store, be careful not to fall into a trap of the higher the price the better the speakers. Price: $349.99. Do they live up to the hype? Rubber base pads are included for use between the speaker base and the stand. A guide to ten of the best studio monitors 2019, from the best budget models to the wallet-busting best in the business models…. Add to this that few of us have the luxury of testing out every single studio monitor, let alone just a few, and the decision becomes very daunting indeed. Waveguides place additional air loading on the tweeter diaphragm, so a metal dome was chosen to provide correct pistonic action over its working frequency range; softer dome material can deform under load and introduce distortions. The EX8 is built with a cone‑travel capability of a huge 36mm within its linear range, and has an impressive power-handling capability of 240W pink noise and 720W peak. Sunday: 8:30am - 8:00pm (EST) The views expressed are those of the contributors and not necessarily those of the publishers. Somewhere to begin thinking about what they might need, and a few of the options that might work well for them. They’re certainly not the only options we’d consider in each of their respective price ranges, but these are the models we’d recommend as starting points. In fact, the very heavy cast casework is reminiscent of that used in the ATC SCM20A and some of the modern Genelec designs — although the details of the cabinet design obviously differ. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Friday: 8:30am – 10:00pm (EST) Like the best hi‑fi speakers, the Opals deliver their best when they've been allowed to warm up for half an hour or more, after which time the sound takes on a slightly smoother and better integrated character — although that's not to say that they sound in any way bad when first switched on. In short, what we have is a monitor that's capable of levels of up to 111dB at 1m (long term 80Hz‑20kHz) or 114dB peak, and a frequency response, between ‑3dB points, of 35Hz to 22kHz. A soft‑clipping circuit is used to maintain a better wave shape, should the generously rated amplifiers ever be driven into clipping, and has the effect of reducing the perceived level of distortion when the monitors are used at very high levels — but with up to 1kW peak capability you'd have to be running pretty hot to induce clipping! A full list of beneficiaries can be found here. You also have the option to opt-out of these cookies. Asymmetrical port geometry with an internal 180‑degree bend is used to reduce port noise (sometimes known as 'chuffing'), and the variable impedance that comes about as a function of the port shape results in a lower air velocity at the port's outlet. That is, monitors that power up when plugged in (without a preamp), which are designed for listening at short distance, unlike the hi-fi speakers found in an audiophile’s home. Tuesday: 8:30am – 10:00pm (EST) As you'd expect, the designers looked at various options, but decided on a traditional 'Class AB' circuit, with no DSP in sight. iLoud Bluetooth Compact Studio Monitors. Photo: Mike Cameron The Event two-way active TR8 monitor has evolved from the popular Event 20/20BAS model and utilises the same specification of cabinet, driver and fourth-order electronic crossover. (0 Reviews) IK Multimedia. Third-harmonic distortion is quoted (measured at 90dB SPL, 1m) as: 500‑7kHz, 0.08 percent; 200‑20kHz, 0.2 percent; and <200Hz, 1.5 percent. In short, what we have is a monitor that's capable of levels of up to 111dB at 1m (long term 80Hz‑20kHz) or 114dB peak, and a frequency response, between ‑3dB points, of 35Hz to 22kHz. (6 Reviews) Neumann. Extremely clean, tight audio performance, with good bass extension and a fast, yet smooth, response to transients. Twin bass‑reflex ports are built into the front sides of the baffle to avoid unfavourable interaction between rear ports and nearby walls — which is a potential problem with rear ports. The low end is deep and powerful, but at the same time very tightly controlled: when playing a damped kick drum, you don't get that resonant overhang that afflicts many more budget speakers, where the port is tuned to a relatively high Q to hype up kick drum and bass sounds.

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