In August of ’61, Shannon recorded So Long Baby and The Answer To Everything, this time at New York’s Mira Sound. 1 Billboard hit "Runaway". He got together with Jimmy Morris and together they recorded I’m Going Through It Too, a re-write of Shannon’s Table Reserved For The Blues, and Pardon Me. Marsh became Westover’s first manager. With the EMI ‘Liberty Years’ release in 1991, a modern technique was used to try and re-create the phasing effect in true stereo, but it didn’t quite capture the magic that was produced on the mono single. When his service ended, he returned to Battle Creek, Michigan, and worked as a … There, he would learn to play ukulele from his mother and grow up the oldest of three children. He was slated to replace Roy Orbison in the Traveling Wilburys all-star rock quintet, and Walk Away became his final single that he promoted on tour while still alive. Young Charles was never quite popular with the girls in school. So Long Baby went to #28 on the American charts. In October 1968, Liberty Records released their tenth (in the USA) and final Del Shannon single, a cover of Dee Clark's 1961 hit, "Raindrops". Neither would see the light of day, but are available here for the very first time. It was Shannon’s idea, he was recording it his way, and everything was coming together magically in the studio. Do ‘When You Walk In The Room,’ ‘It’s Too Late,’ ‘The Cheater,’ and ‘Kicks.’ You sound like Lou Christie so why don’t you go ahead and cut ‘Lightnin’ Strikes’ too.” It was this kind of mentality, and Shannon wasn’t really pushed to write his own songs. The album yielded two 1968 singles, "Thinkin' It Over" and "Gemini" (recently the subject of a Pilooski remix). “This is how I want it, da dee da da, ba boom ba ba!” Harry explained in a 1997 interview. There he learned ukulele and guitar and listened to country and western music, including Hank Williams, Hank Snow, and Lefty Frizzell. As the newly christened Del Shannon, Westover was immediately flown to New York City to record his first single The Search/I’ll Always Love You. Reviewer Chris Martin critiqued the album favourably, saying that Shannon never improvised, was always true to the original sounds of his music, and that only Lou Christie rivaled his falsetto. Stranger In Town followed on its heels, #30 in America and #40 in the U.K. Shannon enjoyed a third string of hits, and toured Great Britain again, this time with Roy Orbison. Hats Off To Larry was Shannon’s only original tune recorded at this second session, his other songs having no commercial appeal in the eyes of Balk. Shannon opened with Ike and Tina Turner at Dave Hull's Hullabaloo, in Los Angeles, California, on December 22, 1965. Born Charles Westover in Coopersville, Michigan, on December 30, 1934, rocker Del Shannon claimed legendary country-western singer Hank Williams as an early influence, but his first record was unadulterated rock: the classic "Runaway" in 1961, highlighted by Shannon's falsetto and keyboardist Max Crook's wailing Musitron (an invention of his). He flew to New York City, but his first sessions did not produce results. After these hits, Shannon was unable to keep his momentum in the U.S., but continued his success in England, where he had always been more popular. ‘Runaway with Del Shannon’ was released in late summer, with 10,000 units being pressed (9,000 in mono and 1,000 in true stereo). The LP didn’t fare well on the album charts. For A Little While and Show Me were issued behind The Big Hurt, but neither managed to grab any attention, despite both being very decent sides. Shannon discovered country artist Johnny Carver one night at the Palomino Club in Los Angeles. Liberty Records was anxious to get a record out, and put Shannon with Tommy “Snuff” Garrett and Leon Russell to produce his first session for them. Shannon, unable to be released from his contract and move on with his career until he complied, agreed to record one more single. They refused. We followed that up. Soon after, Shannon toured Australia, and on the tour were the British duo Peter & Gordon. Shannon originally wrote I Go To Pieces for a black singer named Lloyd Brown, whom Shannon had discovered one night at a Battle Creek club called the Black and Tan. In late 1964, Shannon produced a demo recording session for a young fellow Michigander named Bob Seger, who would go on to stardom much later. In February 1982, Shannon appeared at the Bottom Line. Bill Ramal was a master of arrangements, and here was Del, just a guy who wrote a hit song.” He was encouraged to write the songs this time, and ‘The Further Adventures of Charles Westover’ began taking shape. The album was recorded in hardcore country honky-tonk style and no singles were released. “Ok Del, let’s look at what’s climbing the charts. He soon graduated to lift truck driver but that bored him too. Among the best and most original rock singers of the early '60s, best known for his haunting single "Runaway." In light of what was happening in popular culture, Shannon was encouraged and pushed into doing a psychedelic album. In Nashville, they found what they were looking for: Roger Miller’s The Swiss Maid. DeMott was a good mentor for young Westover. [2], When DeMott was fired in 1958 for drunkenness, Westover took over as leader and singer, giving himself the name Charlie Johnson and renaming the band the Big Little Show Band. ( divorced) ( 3 children). Shannon declined. Shannon flew to England where he toured heavily on the success of Little Town Flirt and to push Two Kinds of Teardrops. On February 8, 1990, after battling a combination of drugs, alcohol and depression for years, he shot himself to death. He brought in the Royaltones and his friend Buddy Gibson, who played steel guitar. It shot to #1 in both the US and the UK. It began receiving airplay when the Monkees released their own version on their sophomore album, instantly killing off Shannon’s version. As a kid Del's Father didn't treat him right. I mean, I didn’t believe in the album, and I didn’t like the idea of doing it. The Royaltones also substituted as Shannon’s vocal chorus. Shannon followed with "Hats Off to Larry", which peaked at number 5 on the Billboard chart and number 2 on the Cashbox chart in 1961, and the less popular "So Long, Baby", another song of breakup bitterness. McKenzie came to Shannon’s house in Southfield, Michigan with the idea for Little Town Flirt, a song he was penning for the Young Sisters’ follow-up. Shannon's career slowed greatly in the 1970s, in part due to alcoholism. Shannon negotiated a deal with the Trousdale Music publishing firm, and thus began the co-writing partnership of Shannon/Hyland. This was the beginning of the new Charlie Johnson and the Big Little Show Band, and they became the hottest act in Battle Creek. Shannon asked if that meant he could quit the club. [1] He learned to play the ukulele and guitar and listened to country-and-western music by artists such as Hank Williams, Hank Snow, and Lefty Frizzell. Thinkin’ It Over included a picture sleeve, the only Shannon 45rpm to have one in the United States. She was born on March 11, … ‘Here she comes, walkin’ down the street.’ No no! “Balk, I need another recording session set up! The three hour session was over, and Pieces wasn’t completed. Shannon looked his career best in the 1964-1965 era, with this guitar, his perfectly combed hair, and his shiny suits. Only Disc Jockey copies were pressed in mono. The sessions were a painstakingly crammed four-day run, from February 23rd through 26th, 1967. The album included Shannon on background vocals and guitar, and Max Crook on the keyboards, including the Hammond B-3 and Moog. She had great potential. Charles Westover became Del Shannon, “Del” after a Coupe de Ville Cadillac that his carpet store boss drove at the time, and “Shannon” from a wannabe wrestler at the Hi Lo Club, a guy named Bob White, who wanted to use the name Mark Shannon. Why don't libraries smell like bookstores? Shannon followed with "Hats Off to Larry", which peaked at #5 (Billboard) and #2 on Cashbox in 1961, and the less popular "So Long, Baby," another song of breakup bitterness. His favorite artists included Hank Williams, Hank Snow, and Lefty Frizzell. It was Shannon’s first time bringing in one of his children to a recording session, and Craig was allowed to sing the frog’s voice (slowed down to give it depth) while Shannon sang the high female part (sped up to give it more female quality). McLaughlin liked what he heard and drove to Detroit again to sit with Balk and Micahnik to negotiate another recording session. His fingers bled from it. Del continued to write successfully when, inspired by his friends Stephen Monahan and Dan Bourgoise one night in his home basement, he was encouraged to write another song in A-minor. He had modest chart success in the summer of 1963 as the first American artist to cover a, View agent, publicist, legal and company contact details on IMDbPro, (? In early 1967 Shannon recorded the album Home and Away in England, with Oldham at the helm. He found part-time work as a rhythm guitarist in singer Doug DeMott's group, The Moonlight Ramblers, working at the Hi-Lo Club. Shannon returned to Bell Sound in New York to fill out an album’s worth of songs. Del Shannon's Runaway Success Led to his Downfall. Shannon took the advice of Bourgoise and started strumming his guitar one night, singing “…if we gotta keep on the run, we’ll follow the sun” as Monahan sang “wee-ooo” in falsetto as a gag. On March 15, 1999 Del Shannon was inducted into the Rock and Roll Hall of Fame. Biography. Shannon co-wrote I Can’t Fool Around Anymore with guitarist Dennis Coffey and Katsakis, the organ player. Oldham had a tight family of artists, and had Immediate artists Billy Nicholls, Andrew Rose, David Skinner, and Jeremy Paul Solomons contribute songs for the album. Shannon’s album was advertised and released about the same time as his next single, Move It On Over, a rocking song co-written with Dennis Coffey, which had a hard driving edge to it that was very early punk. In the years leading up to his death, Shannon suffered from depression. About this same time, Shannon fooled around in United Sound studios to record a few numbers with Dick Bosie and the Teenbeats, who were also with BigTop at one point. In 1988, Shannon sang "The World We Know" with the Smithereens on their album Green Thoughts. ‘The Further Adventures’ began with a session in September 1967 that yielded Thinkin’ It Over, a song that had been written on a piano at Shannon’s house by Del and Dugg Brown. “Hell Del, we’d love to record you!” commented Boyce, and he and Hart worked out a contract between Colgems, Liberty, and their publishing arms to make it happen. He set up his musitron in the recording studio as the session men and engineers gawked. Read Full Biography. Peter and Gordon released his "I Go To Pieces" in 1965. Instrumentals were written, and recorded on stage at the Hi-Lo Club, including Somethin’ Like Somethin’, G-Jam, Hi-Lo Boogie, and Hi-Lo Blues. When he couldn’t cover his bets, he took royalty monies owed to artists and paid off his bookies. Publicity Listings In 1991, all of the tracks were released in the US as part of the Del Shannon – The Liberty Years CD. He had several follow-up hits, including "Hats Off to Larry" and "Little Town Flirt", but his last big hit came in 1965, with "Keep Searchin' ". He couldn’t believe the sounds he heard coming out of this little black box machine. "Runaway" was referenced in the song "When You Dream" by the Barenaked Ladies in their 1998 album, Stunt. Since he never used it, Westover took the name. Shannon spent much of the late 1960s and early 1970s touring Great Britain, where he found a more receptive and admiring audience than he did in the US.

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